Sky Sparrow Snow

I’m thrilled to announce my latest solo recording, Sky Sparrow Snow. This release is a return to song forms for banjo, voice and electronics. Sky Sparrow Snow is a collection of seven original songs merging old-time Appalachian banjo with ambient electronics. The tunes touch on folk (“Laurel Cove“) and gospel (“Over Yonder’s Ocean“) with adventures into hybrid genres like raga blues (“Alap Catfish Impala“) or Steve Reich-meets-Dock Boggs (“No Mule“).

The record is available at Bandcamp, Apple Music, Spotify and other streaming services.

Though these recordings may sound like studio creations, they’re largely documents of live performances, with only minimal edits and overdubs. All of the electronic treatments happen in real-time; I play the banjo and sing while custom Max patches respond to the audio signals and data from my sensor-equipped instruments.

Composer’s Voice Feature

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A recent episode of Composer’s Voice featured my music played by Miolina and Craig Hultgren. The half-hour show was produced by Rob Voisey and aired this weekend on Manhattan Neightborhood Network’s Lifestyle channel. If you missed the broadcast you can see the episode on YouTube or Facebook.

The video includes an excerpt from A Long Line of Clouds Just Above the Trees (2022) for violin duo and live electronics performed by Miolina: Lynn Bechtold (violin) and Mioi Takeda (violin). We received support for the project from the Collaborative Arts Research Initiative (CARI) at the University of Alabama. We workshopped the piece during a Summer 2021 residency at the Avaloch Farm Music Institute in New Hampshire.

The episode concludes with a complete performance of Snakeskin (Verso) (2019) for solo cello and live electronics performed by Craig Hultgren (ecello).

Hultgren in Tuscaloosa

I’m so pleased to have Craig Hultgren visit Tuscaloosa during his southern tour. He’ll be working with Moises Molina‘s cello students, meeting with New College students, and performing a concert that includes my piece Snakeskin (verso) for e-cello and electronics.

February 1 7pm
Craig Hultgren – Cello: Acoustic + Electronic
Moody Recital Hall

University of Alabama
Tuscaloosa AL

Tracing Thin Air Installation

The collaborative Tracing Thin Air project I’ve been making with Karen Brummund and Allison Grant culminates in a one-night only video and sound installation on Friday.

December 2 7-9pm
Tracing Thin Air Installation
between Monarch Coffee and The Alcove
Tuscaloosa AL

For this part of the project I’ve created a sound installation driven by air quality data that we collected over the last 9 months using Purple Air sensors. I sonify the data using a variety of sound generating and audio processing devices built with Cycling ’74’s Max.

Screenshot of Tracing Thin Air Max patch

It’s been fun digging into Max’s multichannel mc. system, especially in combination with the gen~ suite of objects. Graham Wakefield & Gregory Taylor’s excellent book Generating Sound & Organizing Time has been a particularly timely (hah!) and useful resource. Highly recommended.

Saturday in Inwood, My Eighth Birthday, August, 1977

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I had a great time working with poet John Barger on this music to accompany his poem and family footage. John already has another book out, but don’t miss his Resurrection Fail that contains this poem.

I’m particularly fond of “At the Barnes Museum on a Cold Fall Afternoon” as a testament to the twinning and twining of art/poetry/life that happens so often in museums.