A Long Line of Clouds

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Miolina performing A Long Line of Clouds Just Above the Trees at the Skyscraper Museum

Here’s a lovely performance of my piece A Long Line of Clouds Just Above the Trees for violin duo and live electronic. The piece was played by Miolina: Lynn Bechtold and Mioi Takeda, violins, at their recent concert at The Skyscraper Museum in New York.

See more Miolina videos–including other works from the same concert–on their channel on YouTube.

Composer’s Voice Feature

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A recent episode of Composer’s Voice featured my music played by Miolina and Craig Hultgren. The half-hour show was produced by Rob Voisey and aired this weekend on Manhattan Neightborhood Network’s Lifestyle channel. If you missed the broadcast you can see the episode on YouTube or Facebook.

The video includes an excerpt from A Long Line of Clouds Just Above the Trees (2022) for violin duo and live electronics performed by Miolina: Lynn Bechtold (violin) and Mioi Takeda (violin). We received support for the project from the Collaborative Arts Research Initiative (CARI) at the University of Alabama. We workshopped the piece during a Summer 2021 residency at the Avaloch Farm Music Institute in New Hampshire.

The episode concludes with a complete performance of Snakeskin (Verso) (2019) for solo cello and live electronics performed by Craig Hultgren (ecello).

Virtual Tour: Book as Art

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Here’s a virtual tour of the Book As Art, Vol. 13: Transformation exhibit that Half Premonitions of the Moon, the collaborative piece Sarah Bryant and I made. Our piece is highlighted at 7:34. Sarah has another piece in the gallery that is featured at 6:27 in the video.

The exhibit is supported by the Decatur Arts Alliance, Georgia Center for the Book, the DeKalb Co. Public Library, and DeKalb Library Foundation.

Saturday in Inwood, My Eighth Birthday, August, 1977

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I had a great time working with poet John Barger on this music to accompany his poem and family footage. John already has another book out, but don’t miss his Resurrection Fail that contains this poem.

I’m particularly fond of “At the Barnes Museum on a Cold Fall Afternoon” as a testament to the twinning and twining of art/poetry/life that happens so often in museums.