I’m premiering a new piece for banjo, voice and electronics tomorrow at the Pensacola ComposerFest XX. The piece is based on the traditional tune “Handsome Molly.” Other composers on the program include Michael Coleman,, Kadisha Onalbayeva, William Price and Robert Voisey.
Sunday, September 28, 2025 2:30pm Pensacola ComposerFest XX Pensacola State College Ashmore Auditorium Pensacola FL
Iron Giant Free Association is celebrating the release of their first record, Terry Riley’s In C with a free, in-store performance at Seasick Records on Thursday. I’m one of the special guests invited to join the group for the performance. Other guests include John Albea, Mika Carpenter, Jim Fahy, Justin Greene, Davis Little, Melissa Noble and more.
Thursday, September 4, 2025 6pm Iron Giant Free Association plus special guests Seasick Records 3131 5th Ave South Birmingham AL Record release party for Terry Riley’s In C
Seasick will host an album listening party for David Byrne’s Who Is The Sky? at 5pm on the same day. Byrne’s tune “The Avant Garde” makes a great intro to the event:
“There’s only one place, that’s the avant garde I wanna go there I wanna go there I’ll take you with me The things that we’ll see Just look around and you will observe It’s a passionate life, it’s ahead of the curve”
I’m looking forward to performing tomorrow on a concert highlighting free improvisation and electronic music. The show will include Sam Herman, Aaron Johnson, and LaDonna Smith.
Trombonist Jacob Elkin is coming to Alabama this week for two concerts featuring music by Alabama composers. The programs include the premiere of my piece By Wit and Reason, Which We Call Science for trombone and live electronics. The concerts are presented by the Birmingham Art Music Alliance and supported in part by the Alabama State Council on the Arts.
By Wit And Reason, Which We Call Science is informed by the music of Renaissance composer John Dowland. The piece uses a custom microtonal scale similar to Dowland’s scheme for tuning the lute. The performer’s musical gestures and improvised variations drive the electronic sounds: extending pitches, shifting resonant frequencies and triggering repeated tones.
L to R: Cecilia Borasino, Alejandra Ortiz de Zevallos, Holland Hopson, Soledad Sanchez
I’m thrilled to have been invited to work on the Terreno Tejido de Piel project that culminates tomorrow with an installation and performance at Maxwell Hall on the campus of the University of Alabama. The project is led by UA Assistant Professor of Scenic Design Soledad Sanchez Valdez with Peruvian guest artists Cecilia Borasino (choreography/dance) and Alejandra Ortiz de Zevallos (sculpture/fiber arts). I’m providing sound for the installation and performance.
Thursday November 14 2024 5-7pm Terreno Tejido de Piel Maxwell Hall 420 Stadium Drive University of Alabama Tuscaloosa AL